Enough With The Past, Let Me Deal With the Dead

A reckoning with Jewish belonging and alienation, from Poland to Tennessee.

Share
Enough With The Past, Let Me Deal With the Dead
Fractured Jewish headstones at the Jewish cemetery in Serock, Poland. Image courtesy Rachel Edelman.
Enough with the Past, Let Me Deal with the Dead גענוג מיט דעם עבֿר ;לאָמיך זיך פֿאַרנעמען מיט די טויטע
Past the microphone, past the glass, אַנטקעגן דעם מיקראָפֿאָן, אַנטקעגן דעם גלאָז I clocked the resistant squint האָב איך דערזען די קעגנשטעליקע שיקלדיקײט cornering the old man’s eyes, הינטער דעם זקנס אױגן, the drawn-out vowels די אויסגעצױגענע װאָקאַלן same as my grandfather formed די זעלבע װאָס מײַן זײדע האָט פֿאָרמירט to call the room to a halt. אָפּצושטעלן אַלע אין צימער. Slow cadence: patience אַ פּאַמעלעכע קאַדענץ: געדולט to make them hear you. זײ זאָלן זיך צוהערן. He bought the table where I ate ער האָט געקויפֿט דעם טיש בײַ װעלכן איך האָב געגעסן my fill, where, to greet him, my syllables צו דער זעט, בײַ װעלכן, אים צו באַגריסן, די טראַפֿן פֿון מײַן רעדן האָבן געקנאַקט clicked to half-speed. מיט דער האַלבער־גיכקײט. Yes, men יאָ, אַ מענטש can be gentle. קען זײַן צערטלעך, Can be terrifying calm. קען זײַן שרעכלעך רויִק.
When the temple sold the plot downtown, װען דער טעמפּל האָט פֿאַרקױפֿט די קאַרקע אין צענטער־שטאָט they left the bodies האָט מען איבערגעלאָזנט די מתים and moved the stones. The hill taught me און איבערגערוקט די שטײנער. דאָס בערגל האָט מיך געלערנט how a rubbing holds אַז אַ מצבֿה־אײַנרײַבונג נעמט אַרײַן what a reading can’t. דאָס װאָס אַ שריפֿט אַלײן קען נישט. The jaw wrecks itself: דער קײַער מאַכט זיך חרובֿ: taste the mineral edge פֿאַרזוכט דעם מינעראַל־ראַנד of a bone ground down in the clench. פֿון אַ בײן צעמאָלט אין דעם צװאַנג.

Listen to the audio recording of this poem in Yiddish:

audio-thumbnail
0:00
/95.530667

Author's commentary

A Jewish headstone at the Serock, Poland cemetery. Image courtesy Rachel Edelman.

In July 2026, I visited the Jewish cemetery in Serock, Poland, and walked a path lined with fractured headstones. They were propped up at an angle, like an exhibit, stripped from their bodies — bodies that, according to the placards, were no longer there. As my feet sank into the Polish mud, I remembered the old section of my Memphis temple's cemetery, stones crowded close, stones whose bodies had also been stripped of their names.

Four years into learning Yiddish, the language my father’s parents didn’t teach their children, the matzeyves in Serock made me reconsider those in Memphis. I’d already written a poem inspired by that cemetery. I translated my own words in a fervor, compelled to knit together the bodies' abandonment and the communities’ responsibility to our dead when our burial rituals become fractured.

The English version of “Enough with the Past, Let Me Deal with the Dead” appears in Dear Memphis (River River Books, 2024), my debut collection, which reckons with the alienation and belonging of my maternal Jewish family throughout our five generations in Memphis, Tennessee. On a religious school field trip to the old cemetery, I remember rubbing charcoal over butcher paper to capture the texture of the oldest stones. In translating the poem, I searched for the word for “grave rubbing” in Yiddish and couldn’t find it anywhere. Yiddishist and teacher Annabel Gottfried Cohen told me “we have to invent one,” and offered matzeyve-araynraybung, or  מצבֿה־אײַנרײַבונ. A beautiful thanks to her, for the reminder that we make the Yiddish we speak and for her generous edits.